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Social Media
Video production
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Tikehau: Connect the dots
Tikehau: Connect the dots
Branding
Social Media
Video production
Tikehau Capital
KEY FIGURES
travelled by bike, across Europe
travelled by bike, across Europe
5,800 km
5,800 km
countries crossed, 12 cities connected
countries crossed, 12 cities connected
9
9
of filming in 6 countries
of filming in 6 countries
14 days
14 days
SECTORS
SECTORS
Finance & Property
PERIOD
PERIOD
May – July 2026
ACTORS
ACTORS
OVERVIEW
Summary
Connecting offices is done on a map. Revealing a team requires taking to the road.
For Tikehau Capital's Connect the Dots, we transformed a European cycling relay into an employer brand story. With PEP'S, we followed the effort, the unexpected events and the mutual support to show what makes the collective, beyond the institutional image.
The finding
Tikehau wanted to show more of its culture: the people, their commitment and their way of experiencing a challenge together. Connect the Dots provided this material, with teams passing the baton between the European offices.
Our subject lay between the official stages: what happens on the road, what everyone goes through, and what the participants want to say about it.
The stakes
Giving a face to the corporate culture.
The film had to speak to employees as well as to those discovering Tikehau, with a simple question in mind: who are the people behind the group? We chose to show their commitment in real-life situations, to feed internal communication and the employer brand with a story that belongs to them.
The angle
Fatigue, handovers, the unexpected: this is where the story of the collective is told.
We have built a documentary-style narrative around the participants. The images captured during the effort provide the intensity; the interviews allow us to understand what the experience means to them. Each stage brings a piece of the story, all the way to Mont Ventoux.
The device
On a European route, the continuity of the narrative is prepared in advance.
With PEP’S, we organised the coverage of key stages, coordinated the filming with local teams, and prepared the interviews. The participants' onboard footage extends the narrative on the sections that our team does not follow.
During editing, we bring these perspectives together, work on the transitions, and give anecdotes their place. Two versions, long and short, then make it possible to adapt the narrative's length to the communication uses planned with Tikehau.
The result
Two finalised versions, long and short, were delivered to Tikehau in July 2026. The relay becomes a story that the group can share beyond the participants: a communication asset centred on its teams and their shared experience.
Summary
Connecting offices is done on a map. Revealing a team requires taking to the road.
For Tikehau Capital's Connect the Dots, we transformed a European cycling relay into an employer brand story. With PEP'S, we followed the effort, the unexpected events and the mutual support to show what makes the collective, beyond the institutional image.
The finding
Tikehau wanted to show more of its culture: the people, their commitment and their way of experiencing a challenge together. Connect the Dots provided this material, with teams passing the baton between the European offices.
Our subject lay between the official stages: what happens on the road, what everyone goes through, and what the participants want to say about it.
The stakes
Giving a face to the corporate culture.
The film had to speak to employees as well as to those discovering Tikehau, with a simple question in mind: who are the people behind the group? We chose to show their commitment in real-life situations, to feed internal communication and the employer brand with a story that belongs to them.
The angle
Fatigue, handovers, the unexpected: this is where the story of the collective is told.
We have built a documentary-style narrative around the participants. The images captured during the effort provide the intensity; the interviews allow us to understand what the experience means to them. Each stage brings a piece of the story, all the way to Mont Ventoux.
The device
On a European route, the continuity of the narrative is prepared in advance.
With PEP’S, we organised the coverage of key stages, coordinated the filming with local teams, and prepared the interviews. The participants' onboard footage extends the narrative on the sections that our team does not follow.
During editing, we bring these perspectives together, work on the transitions, and give anecdotes their place. Two versions, long and short, then make it possible to adapt the narrative's length to the communication uses planned with Tikehau.
The result
Two finalised versions, long and short, were delivered to Tikehau in July 2026. The relay becomes a story that the group can share beyond the participants: a communication asset centred on its teams and their shared experience.
PIC TOUCH
A car wash becomes a scene of life.
On the Toulouse–Madrid stage, some participants cool off under the jets to bear the heat. Their on-board footage gives us access to this moment.
This is the kind of material we are looking for: an unexpected detail, told and experienced by the teams, which makes the challenge tangible. Company culture finds its images on the road.
PIC TOUCH
A car wash becomes a scene of life.
On the Toulouse–Madrid stage, some participants cool off under the jets to bear the heat. Their on-board footage gives us access to this moment.
This is the kind of material we are looking for: an unexpected detail, told and experienced by the teams, which makes the challenge tangible. Company culture finds its images on the road.

THEY ARE TALKING ABOUT IT
Je n'ai même pas vu les 17 minutes de film passer tellement c'était bien.
Je n'ai même pas vu les 17 minutes de film passer tellement c'était bien.
Valérie Sueur
Valérie Sueur
Head of Communications — Tikehau Capital
Head of Communications — Tikehau Capital
THE FIGURES IN DETAIL
travelled by bike, across Europe
travelled by bike, across Europe
travelled by bike, across Europe
travelled by bike, across Europe
countries crossed, 12 cities connected
countries crossed, 12 cities connected
countries crossed, 12 cities connected
countries crossed, 12 cities connected
of filming in 6 countries
of filming in 6 countries
of filming in 6 countries
of filming in 6 countries
collaborators in the saddle, relayed over 40 days
collaborators in the saddle, relayed over 40 days
collaborators in the saddle, relayed over 40 days
collaborators in the saddle, relayed over 40 days
of film, taken from 2.8 TB of rushes
of film, taken from 2.8 TB of rushes
of film, taken from 2.8 TB of rushes
of film, taken from 2.8 TB of rushes
Scoping & preparation
8 PE shoots: Paris, Madrid, Mont Ventoux (3 days), Milan, Frankfurt, Brussels, London, Paris return
Consolidation
Editing — the story is written in the edit, not in the brief
Finishing & delivery
Broadcast
Scoping & preparation
8 PE shoots: Paris, Madrid, Mont Ventoux (3 days), Milan, Frankfurt, Brussels, London, Paris return
Consolidation
Editing — the story is written in the edit, not in the brief
Finishing & delivery
Broadcast
Scoping & preparation
8 PE shoots: Paris, Madrid, Mont Ventoux (3 days), Milan, Frankfurt, Brussels, London, Paris return
Consolidation
Editing — the story is written in the edit, not in the brief
Finishing & delivery
Broadcast

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